To celebrate the company's fif tieth anniversary in 1985, it was decided to blow up all the parallel universes and reduce everything down By 1983 it was decided that editors, writers, artists, and readers were fatigued by tracking these varying worlds, especially as characters crossed back and forth with impunity. As a result, Bat man aged, albeit slowly, and while the Batman of Earth-l was in his prime, his forerunner was in semi-retirement, with an adult Robin eventually replacing him. Batman and Robin were among the first inhabitants of that age. When comic readers formed comic fandom, this era was known as the Golden Age. That became the home to all the heroes considered the forerunners of the super heroes most know today. Batman existed on several of these worlds, with the first Batman published considered to be set on Earth-2. One parallel world was nice and popular, so through the years more and more parallel worlds were in troduced. It turned out that their universes occupied the same physical space but v ibrated at different speeds, allowing them to coexist (trust me on this). It all happened in Flash #123 when the modern-day Flash met his inspiration, whom he thought was actually a comic book character. Parallel un iverses were a staple of science fiction for de cades by 1961, and Schwartz-who first read, then agented, science fiction-added the element to comic books.
That all ended when editor Julie Schwartz in troduced the Earth-1/Earth-2 concept. As a result, Batman fought the Nazi menace during World War II and then aliens and monsters in the 1950s without having to worry about things like aging. Prior to that, the editors' presumption was that the readership turned over every six to eight years thus they didn't feel constrained by stories published years before. In short, DC Comics was not concerned with a universe of consistent story details until the 1960s. What can be confusing, though, is the notion of parallel worlds and how the canonical stories and character details have changed through cosmic events.
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Movie serials, live-action television, feature films, animated stories, and the like are also excluded from these works-so don't be confused if, say, the Riddler's origin s as listed here don't match what you recall seeing on-screen in Batman Forever.
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This means that comics based on the feature films or animated series are not reflected in these pages. That said, this book does limit itself to those sto ries that are considered part of the Greater DC Universe. Elements from various titles have proven essential to Batman's world, so a new work needed to expand its horizons to every appearance Batman had made since his 1939 debut. Today he stars in Batman, Detective Comics, Batman Confidential, and Justice League of America, while making regular appearances in Robin, Nightwing, Catwoman, and many of DC's other core titles. While Michael limited his research and writing to Batman's appearances in Batman, Detective Com ics, and World's Finest Comics, the Caped Cru sader during those same days also appeared regu larly in The Brave and the Bold and Justice League of America. DC and Del Rey thought there remained a de sire to present the most comprehensive histories for each character, so the triumvirate will star in three books over the next few years, beginning with the volume in your hands. As a resuit, much more to the mythos has been added, tweaked, revised, revitalized, abandoned, and so on. St ill, Michael 's efforts pretty much stopped in the late 1960s as DC continued to publish comics. In 2007 DC released facsimile editions of these three, spotlighting Batman, Wonder Woman, and Superman, fill ing a desire among longtime col lectors to posses this information. The first volume of The Encyclopedia of Comic Book Heroes was published in 1976 and all told, only three of the projected eight volumes ever saw print.
He was aided by Janet Lincoln, and together they stored their data on twenty thousand index cards. Undaunted, he changed his plans to a multivolume series featuring the greatest super heroes, starting with Batman. Then he entered DC's fabled print library and saw the vast scope of what a single company had published since its founding in 1935. He had this crazy notion that a single-volume encyclopedia of super heroes could actually be researched and written. Long before there was an Internet, let alone com puters with vast stores of memory, Michael Fleisher cataloged every Batman comic book DC Comics had published to date. Labors of love are not unique to anyone, and many of us tread the same territory in different eras. who gave me that first Superman comic at age six and encouraged my love of the characters and medium
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